Dance Me!
Credits
Concept/Idea: She She Pop (The cast changes every show). By and with (old): Sebastian Bark, Dan Belasco Rogers, Santiago Blaum, Johanna Freiburg, Fanni Halmburger, Lisa Lucassen, Mieke Matzke, Ilia Papatheodorou, Tatiana Saphir, Claudia Splitt, Berit Stumpf. By and with (young): Hiyam Biary, Eren M. Güvercin, Jan Nwattu, Şimal Nil Şahin, Nikolas Stäudte, Béla Arnaud Weimar-Dittmar, Zelal Yesilyurt, Sindi Zeneli.
Artistic Advise: Laia Ribera Cañénguez, Rodrigo Zorzanelli Cavalcanti, Stage: Jan Brokof, Costumes: Lea Søvsø, Costumes Assistance: Marie Göhler and Gabi Bartels, Light Design: Andreas Harder, Light Design Assistance: Vito Walter, Choreografic Advise: Jill Emerson, Sound: Xavier Perrone, Technical Director: Sven Nichterlein, Production: Valeria Germain, Production Assistence Young: Sarah Mounia Kachiri, PR, Communication: ehrliche arbeit – freies Kulturbüro, Freelance Communikation Support: Tina Ebert, Financial Administration: Aminata Oelßner, Company Management: Elke Weber.
Workshop Input: The Darvish, Jasmine Thomas, Bree Hauschild, Sven Drühl.
Special thanks to: Max Knoth, Stella Konstantinou and Peggy Mädler.
Simultaneous English Live Translation: PANTHEA / Irina Bondas (22.01. and 23.01.2022)
Audio description: Pingpong Translation & Subtitling / Martina Reuter (24.01.2022)
A Production of She She Pop in Co-Production with HAU Hebbel am Ufer Berlin, Kampnagel Hamburg, Künstler*innenhaus Mousonturm, FFT Düsseldorf, HELLERAU – Europäisches Zentrum der Künste. Funded by the German Federal Cultural Foundation and by the City of Berlin – Department for Culture and Europe.
Trailer
Dates
past dates:
Dates
Press
“The accompanying dance interludes demonstrate a great love of abandon and choreographic commitment, pop culture reminiscences, charming, Macarena song-inspired arm and hip swaying, trance and improvisation. Body strength and weight are danced into the floor, repetitive formations are charted to club sounds, sequences of movements by individual performers translated into group images over and over again. These are beautiful images for tensions in which individual lifestyles meet zeitgeist, socialization and economy.”
Stephanie Drees, Nachtkritik, 19.01.2022