Four She She Pop performers delve into Chekhov’s drama “Three Sisters” and now mingle with the staff of this satire in order to establish a sisterhood. They wander through Prozorov’s house – the theater itself – in search of the salon: where is the room, the social space where individual worries and sensitivities can be recognized as social circumstances? Where is the room in which the analysis of their living conditions can be condensed into shared demands and concepts?
This piece is about women and their relationship to work. The phantom pains of a generation of postpolitical isolation. A group portrait based loosely on Chekhov.

Stream

In their new revue “Canon” She She Pop turn the spotlight on those works of other artists and thinkers, which critically influenced and informed their work during the last 30 years.

Property changes consciousness. It divides friends, gives one person power over others and excludes. Property is taken forgranted. And people don’t talk about it. Nothing is so constitutive of our society, or our lives together; nothing has such a divisive effect on our community as property.

This year, the members of She She Pop will all be about 50. In Hexploitation they explore the fear of the ‘hag’ – the old woman and witch. The performers will be using their ageing bodies for this purpose: to fight against the invisibility and loss of status that women suffer in society when they are no longer of childbearing age. To this end, they lock themselves and the audience in a mise en scène reminiscent of a low-lit, kitschy film-set from which there is no escape.

Phone tree, helpline or hotline: Telephone-Canon isn’t a show, it’s a service. Whoever calls up will get one of the cast of “Canon” on the phone and hear about an essential moment in the performing arts. But the the canon is also open for your own tales and entries.